I don't use my pedal board as often as I could these days. Truth is that I often find myself just running straight into the amp I'm using. That means that sometimes I get a pretty clean tone, especially at the house, because you can't really turn up loud enough to get good overdrive on some amps. However, I do use it occasionally. Used it last weekend in fact. Ran my guitar through the board and then straight to my mixer to do some recording.
Now the board itself is pretty small. I saw some of those ads for the Holeyboards that Chemistry Design Werks makes, and really liked them. So, being the cheap dude that I can be sometimes, I headed down to the local Home Depot and picked up a couple of 2'x4'x3/4" boards. The first board I made was about 18"x36". Painted it surf green, and then loaded it down with pedals. That one lasted until the first time I moved it. That's when I realized that it was just too big and unwieldy. That's when I made the next one. Didn't paint it or anything, it's just a piece of raw wood. This second one is about 10"x15" and seems to be about the perfect size for what I need. Like the Holeyboards, I've got it drilled up so that the pedals attach with zip ties. Unlike the Holeyboards, I don't have room for a power supply on it so I use a TrueTone One Spot with it.
I actually had disassembled it for about 6 months, but recently put a board back together for what I wanted. Here's the path. Guitar > TU2 tuner > Wampler Tumnus > TS9 TubeScreamer > GarageTone Axle Grease Delay > Danelectro Big Spender Spinning Speaker > Mooer Acoustikar > whatever amp I happen to be using. Now here's why.
I've got the TU2 tuner for a couple of reasons. First, everyone seems to be using a Snark or some other clip on tuner. I do too. But, when you're playing out, sometimes the clip-on is a bit awkward, and, the tuner, when turned on, will immediately silence the guitar. Who hasn't been in a situation when you wanted to be able to do that for some reason. In my head, between the guitar volume and the pedal, that solves that problem. Plus, it tunes accurately and is bright enough that you can see it in most cases.
From there, signal goes to the the Tumnus. It's pretty much an always-on pedal. I use it as that magical boost. In my head, it just makes whatever amp I'm using sound a bit better as it hits it a little harder and adds a bit of sparkle (how's that for a one of those meaningless guitar player adjectives). Like I said, it's almost always on. At the moment, it's the Tumnus because I'm a huge Chronicles of Narnia fan, but it just as often is my Soul Food. To my ear, using them as just a boost, they do about the same thing.
From there, it's into the Tube Screamer. I use a TS9 just because it was the least expensive Tube Screamer that the store had when I bought. I kind of like the Tube Screamer sound...mid boost and all. I use it to get a little overdrive when I'm not quite getting as much as I want. It doesn't really add a lot of drive. It mostly just pushes the amp a bit more.
From that, it goes to the Axle Grease delay. These were made by Virtual Sound (now Truetone) several years ago. The GarageTone pedals were budget-priced and great pedals for the money. For a simple delay (I have it set for just a touch of slapback), this pedal is the best bang for the buck (imho). I wish they hadn't discontinued this line.
Then to the Danelectro Spinning Speaker. It's supposed to do the Leslie thing. Mrs Snarf got it for me for Christmas, and it's been a ton of fun. It replaced the tremolo pedal I had been using. This is another one of those pedals that, bang for the buck, you just have to try. It's a great little pedal.
From there, to the Mooer Acoustikar. This pedal does a good job of simulating an acoustic. I've got it set on the piezo setting rather than the unplugged acoustic sound just because, in a worship setting especially, you're always plugged in using the piezo. Got this one used off of Reverb, and, for what I paid, it does the job well.
Now there are a whole bunch of other pedals in the closet, but these are the ones that currently make me happy. The others will eventually get rotated out I'm sure. Just not at the moment. Maybe I'll do a more thorough review of the pedals later.
The Strat that has been my main go-to for nearly 10 years is my Hwy 1 Strat in 3-color burst. You know how you always seem to grab the same guitar or two in the end? This is one of those for me.
I got it back in 2010. Prior to that time, I had played primarily acoustic, and didn't play it all that well (I only had 1 electric at that time). I was really good at cowboy chords, and could play some bluegrass-y, sort of country-ish leads, but that was it. I had decided a couple of years before that I wanted to learn to play the blues. I had picked up a couple of book/cd combos, and worked my way through them, but was having trouble finding my way outside of their canned solos for some reason.
The end of 2009, I found myself laid off from work. While I was sitting at the house looking for work one day, I came across an internet teacher that seemed pretty good. So I bought his course (more on this in another post later). He was actually making sense to me, and I was progressing through his coursework. I had decided that, once I finished the course, I was going to reward myself for sticking with it and buy myself a nice Stratocaster. It was several months later, and I was about half way through the course (and actually back to work by this time), and had already showed Mrs Snarf the guitar I had picked out. She walked in from work one day, nice little bonus in hand, and announced to me that I needed to go ahead and order the guitar that I had picked out. So I did.
Since then, no matter what other guitars I may pick up for a while, they always end up back in the closet, and the Hwy 1 stays out on the stand. I've talked off and on about upgrading her a bit, swapping the pups for a good set of Zexcoils or putting some locking tuners on her. Somehow, though, she always makes me happy just like she is, and has remained bone stock. And, yes, she's a her, and her name is Cali because she's the first MIA Strat I got.
When I got her, she was the entry level MIA Strat Fender made. Rumor has it that she's half MIM, but, I actually asked someone at Fender once, and they assured me that she was made in the factory in Corona. Not that it matters...I'm of the opinion that if it plays easily and sounds good, it can be made where ever it came from and I'll be happy with it. Regardless, just like any guitar, after I got her, I gave her a good setup, and she played as well as any guitar I have picked up.
As a Hwy One, it has the Greasebucket tone control. I can't say that I'm unhappy with it. According what Fender used to advertise, it rolls off the highs without adding any lows. Ummmm...a tone control pot can't add any lows. It reduces the highs which accentuates the lows. But it doesn't add them. To my ear, it just cuts some of the lows with the highs. That's not necessarily a bad thing. It sounds good to me. I have heard of people that got Hwy Ones and immediately changed that circuit. I'm not sure why.
The pups are a bit hotter than any other Strat that I've got. Again, not a bad thing. It just gives it a different voice. And a nice one at that. In one of my other Strats, I've got a set of CS 69s dropped in that I really like. I never really understood "that glassy Strat sound" until I heard those. The pups in the Hwy One aren't super glassy. Don't get me wrong; they still sound like a Strat, but they've actually got more growl and drive a lot quicker than the 69s. Iv'e also been told that I'm a but odd because I seldom use the neck pickup which some of my buddies tell me is the only way that God intended a Strat to be played. I prefer a bit more of that Robert Cray-ish treble, and almost always have it in position 2 for that bridge/middle sound. That's the one that makes me happy. I've also got it set with 5 springs to keep the bridge flush on the body.
It's nothing short of a great guitar, and a total player. Mine has more bumps and bruises on it than my other electrics, but that's because it's the one that I play more than any single other electric. When I got this one it was because I wanted a MIA Strat, and this was the cheapest on the block by about $350. In retrospect, imho, these guitars were total sleepers. Or maybe I just got an outstanding example of one.
Snarf is a wannabe musician who currently resides in the great state of Texas. His wife is his favorite. If Coca Cola was alcohol, he'd be a raging alcoholic. He dislikes going to the grocery store. And he still misses his dog who was taken by cancer 2 years ago. Check out his Reverb shop and see if he has any gear he's trying to get rid of.