A couple of months back I picked up one of those Epiphone Les Paul Standard 50s. A gold top. Because everyone needs a gold top, right? Never expected to play it much because I've never bonded with an LP. Granted the only ones I'd played had been the entry level Epiphones and the entry level Gibsons. I'd never played a "nice" one from either brand, so some would say I had probably never given them a fair shake.
I think I got a pretty good deal on this guitar because it was being sold as a blem from American Musical. No big though because I fully expected to just hang this one on the wall because I think a gold top is a beautiful guitar.
It came in, and I pulled it out of the box. I'm not sure why American Musical was selling it as a blem. I'm guessing someone bought it and returned it, so they couldn't sell it as new. It was setup pretty nicely, and I couldn't find anything wrong with it. Once I got it on the workbench, I noticed that the nut is a couple of millimeters off center. I think it was cut weird because it's flush on the bass side and just barely not flush on the treble. Otherwise I have been all over this thing, and can't find anything wrong with it.
The neck is perfect. I wish all my guitars had the neck on this one. It's bigger than all the other electrics I've got. I've got an Epi acoustic that has a big neck on it that is bigger and borders on being uncomfortable to play after a few minutes. This one is big without being as big as that one. It's a good handful without making my hand tired. It's just a great feeling neck.
The pups on it are advertised to be an Epiphone Probucker 1 in the neck and Probucker 2 in the bridge. I've read that those are Epi's version of the the Burstbucker pups. I really like them. To my ear, they're clear and articulate. I especially like the neck pup. I've really liked the Epi Alnico Pro (Epi's equivalent to the 57 Classics) that are in my 339, but I think these Probuckers make the Alnico Pros sound kind of average.
It has the 50s-era wiring in it. From what I've read, that means that the highs don't get muddy if you turn the tone down. Honestly, until recently I've always dimed the tone and never messed with it again, so I'm not really sure if wiring like this makes a difference. Since I've started playing with the knobs on all my guitars more, maybe I'll eventually be able to hear a difference.
I think it looks as good as a gold top should. I think that the gold color is more yellow than the Gibsons I've seen. The Gibsons seem to be a greener gold that this one. You can look at the sides and see that it is a 3-piece body. Looking at the back, they have a veneer on it (albeit a nice looking veneer) that make it appear to be one piece, but it's not.
It's got the to-be-expected cream colored binding and hardware and gold knobs with pointers. There is binding on the neck, too, but the binding doesn't cover the fret ends like it does on a Gibson. It's got the vintage looking tuners with the off-white plastic tulip keys. The headstock is the new Gisbon-inspired headstock that I, personally, like better than the usual Epi headstock.
The one thing I don't like about the guitar is that this mug is heavy. Like orca heavy! I stuck it on the scale because I was curious, and this thing is 9.5 pounds. It is noticeably heavier than any other guitar I've got. I wouldn't want to stand and play it for long periods of time.
Other than the weight, this guitar is really a great guitar. My assumptions of the guitar when I initially bought it turned out to be completely wrong. It feels good and plays good and, to my ear, sounds really good. Since I picked it up, it has become the guitar that I play the most. For the last couple of years, I was typically reaching for my 339 when I played. This Epiphone Standard 50s Les Paul seems to be making the move to become my main player. I've played Gibson LPs that I didn't like half as well as this one. Over the course of the last 10 years I've bought several Epiphones (a 1962 anniversary Sheraton, a 339, a couple of different acoustics, this Les Paul, and others), and with every purchase, I am more impressed with Epiphone's offerings.
I started playing when I turned 16. Since I was brought up in a pretty conservative home, that meant that I started off playing (or trying to play) hymns and Scripture songs from church and maybe the occasional Michael Card song. Now that's not bad, but that just meant that I played very little beyond big, open, cowboy chords. After a couple of years, I fell in with some friends from work that introduced me to bluegrass and country gospel. So I started playing that. Actually learned a few major scales on the neck, but still never played much beyond cowboy chords.
In one of the little bands I played in, another guitar player and I would swap off between playing some melody lines and chords. In retrospect, I can only imagine how bad we sounded, because, other than the occasional "leads" we were both playing big, open, ringing, cowboy chords. Maybe it wasn't as bad I I think it may've been. Back then though, we were having a ball.
I played in another little duo (me and a harmonica player) that played about twice a month at a weekly fellowship group. He and I also played once a month at a church that liked what we were playing. About that time, I managed to get in with a group of "real" players. And, by "real" I mean that I considered them actual musicians. They played out most every weekend somewhere, and they let me sit in with them every couple of months. Because of them, I was also introduced to a flute player who formed a trio out of herself, a violin player, and me. We put together some hymn arrangements and played at a couple of churches in our area three or four times. I was slowly learning to get away from cowboy chords, but it was a very slow process.
Then I moved. I became the worship-leaderish-person-by-default for my singles group at church because I played the guitar. So I was playing once a week at a minimum for that. Then I got a job that, for all intents and purposes, kept me from playing for probably 5 or 6 years.
Moved again, and started going to a local BBQ restaurant. it was at this restaurant that I first heard some music that just reached out and grabbed me. The buddies that I used to go with would sometimes laugh at me because I didn't really care about the BBQ (it was good - don't get me wrong), the whole time we were there I was keyed in on the music being played coming out the speakers above our heads. And then, when we left, we would head to the Borders not too far up the street, and I would search the cd section trying to find what I could remember hearing while we ate.
The blues had reached down and grabbed me. BB King, Stevie Ray, Robert Cray, Albert Collins, Howlin' Wolf... What was this music and why had I never heard it before?? So I decided I needed to learn this music.
Over the next few years, I half-heartedly tried to learn on my own. This wasn't pre-internet days, but it was back when video was just beginning to get a useful foothold and social media was limited to your personal blog and maybe a forum or two. No one had heard of Tom from MySpace yet, and Facebook was still several years away. You could order stuff online, but it was still a hardcopy that was sent to you in the mail...digital content wasn't nearly what it is today.
So I picked up the occasional lesson book from the local Guitar Center or Amazon and tried to learn from them. For the most part, unsuccessfully. I managed to learn the pentatonic scales, but couldn't figure out what to do with them. Sometimes I can take a concept and run with it. For some reason, this time, I'd be given the concept, but then couldn't translate it into something useful.
Fast forward a few years, and let youtube gain its foothold into all things instructional, and at the very end of 2009 while I was between having been laid off and the start date at my new job, I discovered Griff Hamlin and his 4 note solo video. It looked like a simple way to take some of what I had managed to teach myself and turn it from something scale-y into something musical. So I signed up for his emails. After receiving a few of them and actually being able to put what he was talking about into practice, I ordered his course, Blues Guitar Unleashed.
Back then, he only had 2 courses. A beginner course, and BGU. Since I had already been playing for a long time, I started with BGU, and it has set me on the blues path I've been traveling for several years now. At this point, I consider Griff to be my teacher even though he and I have only ever actually spoken on a couple of occasions. He now has a LOT more than just the 2 courses, and each one that I have picked up, I have learned a ton from. His teaching style is simple and understandable. If you purchase his courses, he invites you to join a forum that he works hard to be sure is a welcoming place full of friendly guys and gals where you can get answers to your questions (not like a LOT of internet guitar forums where, if you ask a question, everyone that knows the answer makes you feel stupid for asking since everyone else already knows the answer). He is also active on his forum and interacts with a lot of the discussions that are there.
Because of Griff and his courses, I have progressed beyond cowboy chords and being a pretty one-trick-pony-player to being a confident guitar player that knows I have a whole heck of a lot to learn but knows enough to have a good time in almost any situation. I'm now like a two-trick-pony-player. :-)
Griff has since updated his 4 Note Solo and his flagship Blues Guitar Unleashed course, and, like I said, he's gone from just 2 courses to having an entire catalog. But if you're looking for a good, solid course of instruction, I can't recommend him any more highly. If you're that struggling player that needs a shot in the arm to get your playing jump started, take a look at his material. He's probably got something you'd find useful.
I may do a more in-depth review of his BGU V2 course later on.
Snarf is a wannabe musician who currently resides in the great state of Texas. His wife is his favorite. If Coca Cola was alcohol, he'd be a raging alcoholic. He dislikes going to the grocery store. And he still misses his dog who was taken by cancer 2 years ago. Check out his Reverb shop and see if he has any gear he's trying to get rid of.