A couple of months back I picked up one of those Epiphone Les Paul Standard 50s. A gold top. Because everyone needs a gold top, right? Never expected to play it much because I've never bonded with an LP. Granted the only ones I'd played had been the entry level Epiphones and the entry level Gibsons. I'd never played a "nice" one from either brand, so some would say I had probably never given them a fair shake.
I think I got a pretty good deal on this guitar because it was being sold as a blem from American Musical. No big though because I fully expected to just hang this one on the wall because I think a gold top is a beautiful guitar.
It came in, and I pulled it out of the box. I'm not sure why American Musical was selling it as a blem. I'm guessing someone bought it and returned it, so they couldn't sell it as new. It was setup pretty nicely, and I couldn't find anything wrong with it. Once I got it on the workbench, I noticed that the nut is a couple of millimeters off center. I think it was cut weird because it's flush on the bass side and just barely not flush on the treble. Otherwise I have been all over this thing, and can't find anything wrong with it.
The neck is perfect. I wish all my guitars had the neck on this one. It's bigger than all the other electrics I've got. I've got an Epi acoustic that has a big neck on it that is bigger and borders on being uncomfortable to play after a few minutes. This one is big without being as big as that one. It's a good handful without making my hand tired. It's just a great feeling neck.
The pups on it are advertised to be an Epiphone Probucker 1 in the neck and Probucker 2 in the bridge. I've read that those are Epi's version of the the Burstbucker pups. I really like them. To my ear, they're clear and articulate. I especially like the neck pup. I've really liked the Epi Alnico Pro (Epi's equivalent to the 57 Classics) that are in my 339, but I think these Probuckers make the Alnico Pros sound kind of average.
It has the 50s-era wiring in it. From what I've read, that means that the highs don't get muddy if you turn the tone down. Honestly, until recently I've always dimed the tone and never messed with it again, so I'm not really sure if wiring like this makes a difference. Since I've started playing with the knobs on all my guitars more, maybe I'll eventually be able to hear a difference.
I think it looks as good as a gold top should. I think that the gold color is more yellow than the Gibsons I've seen. The Gibsons seem to be a greener gold that this one. You can look at the sides and see that it is a 3-piece body. Looking at the back, they have a veneer on it (albeit a nice looking veneer) that make it appear to be one piece, but it's not.
It's got the to-be-expected cream colored binding and hardware and gold knobs with pointers. There is binding on the neck, too, but the binding doesn't cover the fret ends like it does on a Gibson. It's got the vintage looking tuners with the off-white plastic tulip keys. The headstock is the new Gisbon-inspired headstock that I, personally, like better than the usual Epi headstock.
The one thing I don't like about the guitar is that this mug is heavy. Like orca heavy! I stuck it on the scale because I was curious, and this thing is 9.5 pounds. It is noticeably heavier than any other guitar I've got. I wouldn't want to stand and play it for long periods of time.
Other than the weight, this guitar is really a great guitar. My assumptions of the guitar when I initially bought it turned out to be completely wrong. It feels good and plays good and, to my ear, sounds really good. Since I picked it up, it has become the guitar that I play the most. For the last couple of years, I was typically reaching for my 339 when I played. This Epiphone Standard 50s Les Paul seems to be making the move to become my main player. I've played Gibson LPs that I didn't like half as well as this one. Over the course of the last 10 years I've bought several Epiphones (a 1962 anniversary Sheraton, a 339, a couple of different acoustics, this Les Paul, and others), and with every purchase, I am more impressed with Epiphone's offerings.
So I've got my ES-335, my Sheraton, and my ES-339.
My Gibson ES-335 is a 2016 Studio version. As I recall, it has a few differences from the regular ES-335 model, but, overall, it's still the same guitar. It has the 4-knob arrangement (unlike the Studio version from a couple of years earlier), and it has 57 Classic pups in it. I think the bridge used was a different bridge from the regular version. I also think that the neck is a torrefied neck. I think there were a couple of other minor differences, but those two are the most significant changes in the Studio and regular versions.
The Sheraton is a 1962 50th Anniversary model. It's biggest differences between it and an actual 335 are that it uses Gibson mini-buckers instead of full size ones and it has a Frequensator tailpiece (closer to a trapeze) instead of using a stop piece tailpiece. It has CTS pots and switches, and it has GIbson cloth wiring inside. Those are also differences between it and the regular Sheratons of the time that it was built. For the purpose of comparison, when I bought the Sheraton nearly 10 years ago, it cost approximately 50% more than a regular line Sheraton and half the price of an ES-335 (which is the model I would've gotten).
My Epiphone ES-339 is from the second run that they produced. The first run was during the summer or fall of 2011. I had been looking at and toying with the idea of buying a Gibson ES-339 for a while when they announced that Epi would be producing that model as well. I got my order in late enough that I missed that first run and had to wait on the second. The only difference in the two that I recall is that the first run had Epi's ProBucker pups in it (their equivalent to Gibby's BusrtBuckers) and the second run had the Alnico Pro pups in it (their equivalent to the 57 Classics).
Although, mine have some pretty significant differences in them, the 335 and Sheraton are very similar guitars in theory. However, I believe that the Sheraton was an Epiphone creation and not a Gibson copy originally, but it's a little more ornate than the basic 335; it's closer to an ES-355. I actually like my Sheraton better than my ES-335, and, moving forward, I'm going to talk about them as if they were the same unless specified otherwise. Also, I'm not covering the differences in Gibson vs Epiphone. This is 335 vs 339.
The 335 guitars are bigger bodied. I'm too lazy to look up the actual dimensions, but they're huge guitars. They're big enough that I know at least a couple of folks that won't play them because they're "just too big." They're also pretty heavy. I attribute the weight to the fact that they're so big. Although I've always said that the 339 is the same size as a Les Paul, I've read (and seen when they're side by side) that they're not quite the same size. But they're close. See the pics at the bottom for a comparison. It's not a huge difference, but that little bit makes a pretty big difference in weight and comfort when playing.
If it makes a difference to anyone, the 335 has the jack on the face of the guitar where the 339 has it on the hip like a Les Paul. I don't usually think about where the jack is, but every time I pull out the 335 and plug it in, I'm afraid I'm going to hit the plug and crack the face of the guitar or break the jack. I've never done that and probably never will, but it's always in the back of my mind.
From a parts standpoint, they're not really that different of guitars (and I'm not talking about the the Gibson vs Epi difference, this is the 335 vs 339 difference). They both have the same control setup. Both have 2 vol/2 tone setups with the pup selector down by the knobs. They both have a stop tail bridge. They both have humbuckers for pups. There's the jack location, but, other than that, they're similar.
Tones from both are very nice. They both have that nice semi-hollow sound. The longer I play, the more I really like that airy sound that you get from a semi-hollow like a 335 or 339. The difference is that the 339 can get into those Les Paul-ish kind of darker sounds that a 335 can't do. I imagine that's because the wings of the 339 are smaller so it's as close to a solid body as it is to a semi-hollow. The 335 is the standard for a semi-hollow, in my opinion, the semi by which all others are measured. The 339 does an adequate job in that semi-hollow arena, but it also can get into the LP territory. The 339 is a good balance between the two.
Once I understood that what I was hearing was a semi-hollow sound, I've liked the 335 and played one at least as often as I played my Strats. I've always wanted to like a good Les Paul, but have just never bonded with one. Since I started to migrate from primarily playing an acoustic to playing an electric, I have always been drawn to my Strats. However, about a year ago, I pulled my 339 out of the closet, set it up really well, and have been playing it almost exclusively since then. It's just a great guitar that covers a lot of area.
The 335 vs the 339. Both are great guitars that are very similar. If you like the humbucker sound, give them a shot.
And, yes, I've ripped those from the interwebs at some point. Don't remember where so I can't give credit like I should.
Like a lot of guitar players, I have enough wood and steel to fill a closet. So it can get pretty expensive to carry them in to a real live luthier every time one needs a setup or repair. So I try to do a lot of the work myself. Over the years I've accumulated a bag full of tools to use when working on a guitar. However, I've never had anything gig bag sized that I could drop into a pocket and have that cover any setting up I want to do on the fly.
So lately I've been seeing some of the guitar multi tools, and figured I'd give them a test drive. I noticed that there seem to be 4 main ones: Gibson, Ibanez, CruzTools, and D'Addario. They were all priced between $15 and $20. The Gibson, the D'Addario, and the old CruzTools options all looked like they were made by the same company and were mostly the same. I read somewhere that the Ibanez version was included with their premium guitars, so I figured that one may be specific to Ibanez gutiars (which I don't have any). Looking at pics, whether it is or not, it also looks bigger and bulkier than the others. The old CruzTools and the D'Addario tool neither had a 5/16" socket on it. So I discounted those and didn't get them. The new CruzTools version and the Gibson did. So those were the two that I picked up to try out. Here are my thoughts on them.
I recently heard one of the YouTube personalities I follow mention that they have the Gibson version and think that it's the best guitar tool out there. It's got the 5/16" socket, a slotted screwdriver, a #1 and #2 Phillips screwdriver, 7 allen/hex wrenches (which I suspect are a mix of standard and metric), and something described as a lever that is laser engraved with marks at 3/64" and 5/64" for measuring string height.
The first "guitar tools" that I ever bought was a set by CruzTools, that I use all the time. I noticed that the new version of the CruzTools option had the 5/16" socket, so I got it as well. It has the same 2 Phillips screwdrivers, a slotted screwdriver (just a touch smaller than on the Gibson tool), 9 allen/hex wrenches (that are engraved with their size), and a standard/metric ruler for setting string height. It also has the tools, particularly the sizes of the allen/hex wrenches on the side of the tool.
As far as using them, they work about the same. They're both multitools that seem to do the trick. Both have, pretty much, the same tools on them. However, I think I prefer the one made by CruzTools for 2 reasons in particular. First, it has the sizes of the allen/hex wrenches on the wrenches so you know which one you're grabbing (no guess work). In case you forget, it's also written on the side of the tool, and the 4 standard sizes are grouped together on one side and the 5 metric on the other. Second, it has the standard/metric ruler that actually shows more than 2 lines like on the GIbson. The CruzTools tool is slightly larger than the one from Gibson.
The CruzTools multitool seems to me to be a little more user friendly (it's labeled). It also has a real ruler on it instead of the just the two tick marks, so it's a little more versatile. It will be the one that gets to ride in my gig bag.
Snarf is a wannabe musician who currently resides in the great state of Texas. His wife is his favorite. If Coca Cola was alcohol, he'd be a raging alcoholic. He dislikes going to the grocery store. And he still misses his dog who was taken by cancer 2 years ago. Check out his Reverb shop and see if he has any gear he's trying to get rid of.