A couple of months back I picked up one of those Epiphone Les Paul Standard 50s. A gold top. Because everyone needs a gold top, right? Never expected to play it much because I've never bonded with an LP. Granted the only ones I'd played had been the entry level Epiphones and the entry level Gibsons. I'd never played a "nice" one from either brand, so some would say I had probably never given them a fair shake.
I think I got a pretty good deal on this guitar because it was being sold as a blem from American Musical. No big though because I fully expected to just hang this one on the wall because I think a gold top is a beautiful guitar.
It came in, and I pulled it out of the box. I'm not sure why American Musical was selling it as a blem. I'm guessing someone bought it and returned it, so they couldn't sell it as new. It was setup pretty nicely, and I couldn't find anything wrong with it. Once I got it on the workbench, I noticed that the nut is a couple of millimeters off center. I think it was cut weird because it's flush on the bass side and just barely not flush on the treble. Otherwise I have been all over this thing, and can't find anything wrong with it.
The neck is perfect. I wish all my guitars had the neck on this one. It's bigger than all the other electrics I've got. I've got an Epi acoustic that has a big neck on it that is bigger and borders on being uncomfortable to play after a few minutes. This one is big without being as big as that one. It's a good handful without making my hand tired. It's just a great feeling neck.
The pups on it are advertised to be an Epiphone Probucker 1 in the neck and Probucker 2 in the bridge. I've read that those are Epi's version of the the Burstbucker pups. I really like them. To my ear, they're clear and articulate. I especially like the neck pup. I've really liked the Epi Alnico Pro (Epi's equivalent to the 57 Classics) that are in my 339, but I think these Probuckers make the Alnico Pros sound kind of average.
It has the 50s-era wiring in it. From what I've read, that means that the highs don't get muddy if you turn the tone down. Honestly, until recently I've always dimed the tone and never messed with it again, so I'm not really sure if wiring like this makes a difference. Since I've started playing with the knobs on all my guitars more, maybe I'll eventually be able to hear a difference.
I think it looks as good as a gold top should. I think that the gold color is more yellow than the Gibsons I've seen. The Gibsons seem to be a greener gold that this one. You can look at the sides and see that it is a 3-piece body. Looking at the back, they have a veneer on it (albeit a nice looking veneer) that make it appear to be one piece, but it's not.
It's got the to-be-expected cream colored binding and hardware and gold knobs with pointers. There is binding on the neck, too, but the binding doesn't cover the fret ends like it does on a Gibson. It's got the vintage looking tuners with the off-white plastic tulip keys. The headstock is the new Gisbon-inspired headstock that I, personally, like better than the usual Epi headstock.
The one thing I don't like about the guitar is that this mug is heavy. Like orca heavy! I stuck it on the scale because I was curious, and this thing is 9.5 pounds. It is noticeably heavier than any other guitar I've got. I wouldn't want to stand and play it for long periods of time.
Other than the weight, this guitar is really a great guitar. My assumptions of the guitar when I initially bought it turned out to be completely wrong. It feels good and plays good and, to my ear, sounds really good. Since I picked it up, it has become the guitar that I play the most. For the last couple of years, I was typically reaching for my 339 when I played. This Epiphone Standard 50s Les Paul seems to be making the move to become my main player. I've played Gibson LPs that I didn't like half as well as this one. Over the course of the last 10 years I've bought several Epiphones (a 1962 anniversary Sheraton, a 339, a couple of different acoustics, this Les Paul, and others), and with every purchase, I am more impressed with Epiphone's offerings.
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Snarf is a wannabe musician who currently resides in the great state of Texas. His wife is his favorite. He believes chocolate milk made from milk that is anything less than whole milk is basically water and deserves to be dumped down the sink so nobody has to suffer through it. He hates having to shop for clothes. But he has a thing for really cool bags, and, consequently, has more gig bags than guitars and a closet full of messenger bags and backpacks. He still misses his dog who was taken by cancer 5 years ago. Check out his Reverb shop and see if he has any gear he's trying to get rid of.